Hubert de la Bouillerie Dies at 75
This is an AI translation into this language for easier reading. The original is the German version: open German original.
Film editor Hubert de la Bouillerie died on August 8 in Los Angeles. His credits include “Woodstock,” “The Witches of Eastwick” and two “Police Academy” films.
AI MODIFIEDTVS News AI redaktionell betreut präsentiert Hubert de la Bouillerie im Alter von 75 Jahren gestorben.
Hubert de la Bouillerie died on August 8 in Los Angeles at the age of 75. The film editor worked on, among other projects, the influential documentary Woodstock and George Miller’s The Witches of Eastwick.
For film enthusiasts, his death means the loss of an editor whose work encompassed both documentaries and feature films. The three sources consistently cite key titles from his body of work and confirm his date of death and his death in Los Angeles.
“Woodstock” and “The Witches of Eastwick” Defined His Career
De la Bouillerie served as an additional editor on the 1970 documentary Woodstock. He handled the editing for George Miller’s The Witches of Eastwick. He thus belongs to the group of filmmakers whose names do not appear on screen at the same moment, but whose work nevertheless forms part of the film.
The documentary And Justice for All is also among his works. According to Deadline, his credits also include Rollerball, Tango & Cash, Celtic Pride and two Police Academy films.
Further Editing Work at Warner Bros. and in Theaters
According to The Hollywood Reporter, the Warner Bros. veteran also worked on Norman Jewison’s Rollerball and Other People’s Money. Tango & Cash and two Police Academy films are also mentioned there.
Variety additionally lists work on Highlander II: The Quickening, Mo’ Money, Doin’ Time and Blank Check.
His Death Ends a Versatile Career Behind the Scenes
Reports on Hubert de la Bouillerie portray an editor who worked across documentaries, comedies, crime films and mainstream cinema. The sources do not contradict one another: They confirm his death on August 8 in Los Angeles, his age of 75 and key work on Woodstock and The Witches of Eastwick.
The film titles cited make his cinematic contribution more tangible than a mere list of successes: His cuts shaped both documentaries and theatrical classics alike, even though he himself did not regularly appear before the camera.
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